MOODYMANN- FOREVERNEVERMORE 12"

$60.00 USD

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Genre: Electronic/Dance

Grading

Mint(M)

Record Grading Guide:

  • Mint (M) – Absolutely perfect in every way. Never been played and usually sealed.
  • Near Mint (NM) – The record has been on a shelf between other records. The vinyl looks glossy and clearly has only been played a few times. There are no marks on the vinyl and the whole package is complete.
  • Excellent (E) – Same but I’d tolerate very light marks where the vinyl has been in and out of the inner sleeve a few times, or tiny signs of use generally.
  • Very Good Plus (VG+) – A few further faults are acceptable, but nothing that really compromises the record visually or audibly. A little rub, light inaudible marks, a little background crackle.
  • Very Good (VG) – It’s seen a bit of life, but is still usable. Light pops and clicks, an edge split, light visible scratches. You can still listen to it and enjoy looking at it, but it is visually and audibly USED.
  • Good (G) – To be honest you’re making trouble for yourself here, as Good means Bad. I’d only be selling something really desirable in this condition, with a bargain price and a full, no holds barred description to match.
  • Poor (P), Fair (F) Attempting to listen will be a disturbing experience. Expect major noise issues, skipping or repeating. The record itself is cracked, badly warped and has deep scratches. The cover is also approaching death.

Sample

Product Description

CLEAR VINYL 2020 Repress! Forevernevermore was originally released in 2000 and is the second full length on Peacefrog from Kenny Dixon Jnr. Gathering together the best strands of Moodymann's late-'90s tracks on KDJ, Forevernevermore re-interprets these rare and sought after gems twisting and blending them into a new mesmerizing and idiosyncratic stew which offers new insight into these now classic retro-disco funk tracks. Containing unique and stone cold classics such as Don’t You Want My Love, Wednesday Night People and The Thief That Stole My Bad Days. Forevenevermore is perhaps Kenny’s most soulful full length and the sheer emotive nature of these tracks and their relatively down-tempo beats make this album more of a reflective listening experience on par with sentimental albums such as Marvin Gaye's Let's Get It On and Stevie Wonder's Talking Book than traditional house music.

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